Some of you may have known him, an artist who happened to be a neighbour of mine in Upper Lurg. A man not easy to befriend, but once he accepted you, would generously include you in his world.
Hugh’s paintings are exceptional. I am lucky enough to have two of his prints on my lounge room wall, ’The Man who Steadies the Lead’ and the ‘The Four Deuces’. The third one from the set, ‘Stagecoach’, is hanging in my son’s lounge in Moorngag.
These prints have given me solace recently. I find myself studying them most days, my mind going back to the time he and John would ride their horses around his horse pavilion.
On one occasion Hugh held a rodeo at Bangtail Stud, inviting friends he had met over the years. John and I sat around the campfire that night happily chatting to John Farnham and his family.
Hugh started his working life up north mustering cattle. He became a very good rider.
At night he would relax around the fire with a sketch pad and pencil. Over the years he developed his artistry, eventually transferring to oils. It wasn’t long before he was recognised.
Hugh eventually met a young woman on his travels. Jill said she “tamed him”. He never thought he would marry, but he did and they had two sons. During this time his he completed numerous new works, and his name became famous. Qantas even paid him to paint a plane! Hugh thought that was very amusing. Jill was lovely, she knew how to please her husband, he adored her. She wasn’t a dill with the paint brush either. Her paintings of Paris were exceptional. They spent their honeymoon there and went back a few times over the years.
Hugh’s early life as a Ringer had also taught him Poker. As he became more famous, he would often take himself off to a casino. On one occasion in Tasmania, he and Jill were staying at the Hobart Casino. They had been riding at a quarter horse show, and he’d heard there was a poker game going on downstairs. Jill decided on an early night but gave him her blessing. Late into the night, Hugh returned, waking her up by turning all the lights on in the bedroom. Sleepily she looked up at him, brushing the paper notes from her body. Hugh had won the game and had smothered her with thousands of dollars. He had a bottle of champagne and two glasses in his hands.
The only reason I heard this story was, Hugh saw John and I playing together on a machine at the Bowls Club. We were playing fifty cents a pull (the machines had handles in those days). He said, “You’ll never win big unless you gamble big”, then proceeded to tell us about Tasmania. Jill whispered, “Don’t listen to him, just enjoy your little dabble”.
I look at my prints with happy thoughts.
Hugh Sawrey. C.B.E. 1919 to 1999
Jan Nichols
Hugh’s paintings are exceptional. I am lucky enough to have two of his prints on my lounge room wall, ’The Man who Steadies the Lead’ and the ‘The Four Deuces’. The third one from the set, ‘Stagecoach’, is hanging in my son’s lounge in Moorngag.
These prints have given me solace recently. I find myself studying them most days, my mind going back to the time he and John would ride their horses around his horse pavilion.
On one occasion Hugh held a rodeo at Bangtail Stud, inviting friends he had met over the years. John and I sat around the campfire that night happily chatting to John Farnham and his family.
Hugh started his working life up north mustering cattle. He became a very good rider.
At night he would relax around the fire with a sketch pad and pencil. Over the years he developed his artistry, eventually transferring to oils. It wasn’t long before he was recognised.
Hugh eventually met a young woman on his travels. Jill said she “tamed him”. He never thought he would marry, but he did and they had two sons. During this time his he completed numerous new works, and his name became famous. Qantas even paid him to paint a plane! Hugh thought that was very amusing. Jill was lovely, she knew how to please her husband, he adored her. She wasn’t a dill with the paint brush either. Her paintings of Paris were exceptional. They spent their honeymoon there and went back a few times over the years.
Hugh’s early life as a Ringer had also taught him Poker. As he became more famous, he would often take himself off to a casino. On one occasion in Tasmania, he and Jill were staying at the Hobart Casino. They had been riding at a quarter horse show, and he’d heard there was a poker game going on downstairs. Jill decided on an early night but gave him her blessing. Late into the night, Hugh returned, waking her up by turning all the lights on in the bedroom. Sleepily she looked up at him, brushing the paper notes from her body. Hugh had won the game and had smothered her with thousands of dollars. He had a bottle of champagne and two glasses in his hands.
The only reason I heard this story was, Hugh saw John and I playing together on a machine at the Bowls Club. We were playing fifty cents a pull (the machines had handles in those days). He said, “You’ll never win big unless you gamble big”, then proceeded to tell us about Tasmania. Jill whispered, “Don’t listen to him, just enjoy your little dabble”.
I look at my prints with happy thoughts.
Hugh Sawrey. C.B.E. 1919 to 1999
Jan Nichols
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